Freedom Flotilla Ship to Gaza — Naples, 2012

In 2012, Naples became a point of departure.
“On the Right Side – Freedom Flotilla — Naples, 2012” documents the presence of activists, ships and communities gathered around a mission that moves between politics, solidarity and conflict.
The project does not focus on the journey itself, but on the moment before, where tension and meaning are still visible on the surface.
On the Right Side
This project documents the presence of activists, ships and communities gathered around a mission that moves between politics, solidarity and conflict.
The project does not focus on the journey itself, but on the moment before, where tension and meaning are still visible on the surface.
A moment before departure to Gaza.
A space charged with tension, presence and meaning.
















A Gesture That Remains
The departure of the Freedom Flotilla from Naples in 2012 was a symbolic attempt to break the Israeli blockade of Gaza, a gesture built on visibility, presence and collective action.
Over time, its meaning has shifted. What once appeared as a moment now reads as part of an ongoing condition, still unresolved.
In this sense, the project resonates with Between Gaza and Naples, tracing a continuous line between places, images and histories that remain connected across distance.
Rather than documenting the event, the project focuses on what surrounds it.
The waiting, the preparation, the quiet tension before departure, elements that often remain outside the official narrative. Through these fragments, the images construct a more intimate reading of a public moment.
What emerges is not a spectacle, but a condition: a shared presence suspended between action and uncertainty.
About Freedom Flotilla
The Freedom Flotilla is an international initiative aimed at breaking the blockade of Gaza through humanitarian missions.
This series documents one of its departures from Naples, capturing the intersection between local space and global conflict.
Different places.
Same condition.
From Naples to Gaza,
from images to artificial voices,
the work explores how distance is built, and how it persists.